I N T E R I O R & G A R D E N D E S I G N – A N T I Q U E S
Graduated in the IESA and the finest parisian galleries, Pierre-Alain Clostermann is pleased to greet you with his selection of french and indian Decorative Arts, carefully chosen in view of their quality and their historic interest, characteristic of a time
COMMODE IN AMARANTH By Charles Cressent, around 1725-1735 H. 34 in ; W. 39 in ; D. 21 in Marquetry of amaranth on a soul of pine and oak, walnut drawers. Our commode has the typical assembling characteristics of the furniture made by Charles Cressent and the bronze ornaments of his repertoire, which does not found in no other cabinetmaker because Cressent was foundryman of his own models. The squared falls applied to…
A spaniel bringing a pheasant By Prosper Lecourtier (1851-1924) – Signed on the base. Bronze with numismatic patina. H. 4,5 in ; Total Width : 6,3 in Prosper LECOURTIER (1851-1924) French animal sculptor, Prosper Lecourtier learns in the Emannuel fremiet’s studio. Inheriting his passion for animals, however he produced smaller works. Expressing his talent in various hunting scenes, he differs from his master by the expression of the movement of his subjects. Lecourtier, by his…
Powder box or snuffbox Louis XVI period, circa 1780 D. 8,5 cm (3,35 in) Chocolate color striped on white background, the inside with tortoiseshell. This box showing a miniature with putti playing in a garden.
Pedestal with Chimeras By Jean-Joseph Chapuis (1765-1864) Brussels, about 1810-1820 Materials: mahogany, patinated and gilded wood, turquoise blue capella marble Dimensions: H. 76.5 cm; D. 74 cm Stamp: unsigned Resting on a mahogany veneer plinth and ornamented with barrel-shaped bronze wheels, this pedestal stands by a central Doric column flanked by three carved wooden Eels, patinated in the color of bronze and embossed with gilding on the crests, teeth and eyes. All support a circular…
MINERVA AND THEMIS CLOCK Louis XVI period Paris, circa 1780 Calendar complication movement Materials : white and black marble, gilt bronzes Dimensions : H. 27,6 in ; W. 23 in ; D. 6,7 in Exceptional timepiece from the Louis XVI period, from the tallest clocks produced under the Louis XVI period, in white Carrara marble and gilt bronzes. Two allegorical gilt bronze figures of Athena and Themis on a neoclassical architecture. The same model exhibited in the Musée des…
Copper and Mahogany inlaid bookcase Louis XIV period, circa 1690 H. 78,3 in ; W. 40,1 in ; D. 14,2 in Opening by two doors, this bookcase is fully inlaid with mahogany – a rarely used wood for this period, all inlaid with a rich copper decor in geometric frames on the front and sides. This type of decoration traditionally met on black lacquered furniture here is used to meet the copper and wood color, putting…
PLATE WITH RADIATING DECORATION France (Rouen) Circa 1700-1720 Plate with blue and red radiating pelmets decoration, shells, foliage leaves and flowers at the center. Diameter : 9,7 in. Origins : – Robert Damilaville’s collection (sticker) – Sold in Paris – december 22nd, 1894. – Pierre Vandermeersch’s collection (sticker) – 31 rue des Saints Pères, Paris.
A Rouen earthenware wall “Bouquetière” Poterat’s workshop, circa 1710-1720 H. 3,8 in ; W. 6,9 in ; D. 3,5 in Blue and red underglaze flower ornaments on a band, alternately with red crosses and red foliages on blue background.
de France’s coat of arms fountain by Jacques de Lajoue Maybe drawn for the Chateau de Choisy (noted on the back) Louis XV period H. 1 ft. 3 in. ; W. 1 ft The sculpture allegory by Jacques de Lajoue, unsigned pen and ink wash drawing. Typical work of the finest “rocaille” period. We can compare this drawing with a suit of ‘Modèle de buffets’ and the “The Bath of the Sultana”. Jacques de Lajoue…
Lady desk said ‘Bonheur du Jour’ Louis XVI period, Parisian work, circa 1780 Stamped Jacques-Laurent COSSON Bonheur du jour based on tapered legs and fluted, wearing high shoes finely chiseled in bronze water leaves and wearing rings denticles. This piece of furniture called ‘bonheur du jour’, typical of very feminine productions of the late eighteenth century, could at the same time serve as extra office, dressing table, small cabinet with shelves presentation and marble top.…
An Indian ivory and rosewood casket Vizagapatam – India, circa 1740 Dimensions (approx.): H. 6,7 in. ; W. 16,5 in. ; D. 12,6 in. This casket presenting a rare size and quality of vegetal decoration – in the Italian manner called ‘Tarsia a incastro’ (ivory flowers are directly inlaid into the solid rosewood, which reserves have been previously carved for each element) this great chest is decorated on all sides and opening by a drawer. The…