Silvered bronze deers - Thailand, Ratanakosin school.

Silvered bronze deers – Thailand, Ratanakosin school.

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LARGE PAIR OF SILVERED BRONZE DEER

Thailand, first third of the twentieth century.

H. 32 in

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LARGE PAIR OF SILVERED BRONZE DEERS

Thailand, first third of the twentieth century.

H. 32 in ; W. 30 in ; D. 11 in (one deer) 

We stopped some time ago on this hugely decorative object. Impressive in size and quality, this pair of Thai deer can adorn a hunting dining room in a countryside manor. These deers are the largest model of the Ratanakosin School (Bangkok).

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‘Lyre’ sconces pair by Pierre Gouthiere

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Very rare “lyre” sconces pair – Louis XVI period Pierre Gouthiere’s workshop – Parisian work, circa 1785 H. 19 in ; W. 12,5 in This unique and stylish pair of wall consists of a barrel -shaped lyre motif very popular time of Louis XVI, probably made ​​for a music room. It is surmounted by a mask radiating suspended from a node by all ablaze trimmings. Both sconces fluted curved emerge from the instrument into an…
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Mahogany Louis XIV bookcase, circa 1690

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Copper and Mahogany inlaid bookcase Louis XIV period, circa 1690 H. 78,3 in ; W. 40,1 in ; D. 14,2 in Opening by two doors, this bookcase is fully inlaid with mahogany – a rarely used wood for this period, all inlaid with a rich copper decor in geometric frames on the front and sides. This type of decoration traditionally met on black lacquered furniture here is used to meet the copper and wood color, putting…
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Porcelain biscuit bas relief – Napoleon, circa 1810

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White porcelain biscuit low relief After Jacques-Louis David : Napoléon passant le col du Grand Saint Bernard Sèvres manufactory, circa 1810 H. 9 in. ; W. 7 in. After the original painting by David, located in the Chateau de la Malmaison (dated 1801). Original gilt wood frame.
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Very rare 18th century ebony and ivory octant

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Very rare 18th century ebony and ivory octant Georges II – Louis XV period, ca. 1750 Radius : 17,8 in Octant ebony and ivory – Signed by the French dealer Decard Bordeaux, retaining the name of the manufacturer * GREGORY fecit * Henry Gregory, optician and manufacturer of measuring instruments in London between 1744 and 1782. Same octant is presented in the collections of the Independence Seaport Museum in Philadelphia – that belonged to John Barry, founder…
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Raymond QUIBEL – White roses – Rouen’s impressionist school

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Impressionist’s white roses By Raymond Quibel Rouen’s impressionist school, first half of the XXth century H. 12,6 in. ; W. 16 in. Provenance : Private collection in Grenoble, work acquired from the artist then transmitted by inheritance to the last owner.  Original gilt wood frame. Raymond QUIBEL (1883-1978) Raymond Quibel exhibited at the “Salon de l’École française” in 1912 and 1913 and then to “Société des Artistes Rouennais”, the “Société Nationale des Beaux Arts” in 1922…
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French Rouen’s earthenware – Blue and red plate, circa 1700-1720

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PLATE WITH RADIATING DECORATION France (Rouen) Circa 1700-1720 Plate with blue and red radiating pelmets decoration, shells, foliage leaves and flowers at the center. Diameter : 9,7 in. Origins : – Robert Damilaville’s collection (sticker) – Sold in Paris – december 22nd, 1894. – Pierre Vandermeersch’s collection (sticker) – 31 rue des Saints Pères, Paris.
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Mahogany chairs and armchairs set – ca. 1810

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Two armchairs and two chairs set Solid mahogany First french Empire period (napoleonic) circa 1810
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Lady desk said ‘Bonheur du Jour’, ca. 1780

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Lady desk said ‘Bonheur du Jour’ Louis XVI period, Parisian work, circa 1780 Stamped Jacques-Laurent COSSON Bonheur du jour based on tapered legs and fluted, wearing high shoes finely chiseled in bronze water leaves and wearing rings denticles. This piece of furniture called ‘bonheur du jour’, typical of very feminine productions of the late eighteenth century, could at the same time serve as extra office, dressing table, small cabinet with shelves presentation and marble top.…
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Henri OTTEVAERE – Abermule (Wales) ca. 1915

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Impressionist view of the Afon Miwl’s bridge (Abermule, Wales) By Henri Ottevaere (Belgian school) – Circa 1915 H. 13,6 in. ; W. 17,5 in. This painting was realized during the Ottevaere trip to England in the early twentieth century. It is representative of an impressionist period of Henri Ottevaere, whose productions shows some symbolism. After he will work in the style of Tervuren’s school ( Belgian Barbizon School). This bridge still exist today.  We found it on…
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Pedestal chimeras by Jean-Joseph CHAPUIS

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Pedestal with Chimeras By Jean-Joseph Chapuis (1765-1864) Brussels, about 1810-1820 Materials: mahogany, patinated and gilded wood, turquoise blue capella marble Dimensions: H. 76.5 cm; D. 74 cm Stamp: unsigned Resting on a mahogany veneer plinth and ornamented with barrel-shaped bronze wheels, this pedestal stands by a central Doric column flanked by three carved wooden Eels, patinated in the color of bronze and embossed with gilding on the crests, teeth and eyes. All support a circular…
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