This artworks can be included to your collection :
Pedestal with Chimeras By Jean-Joseph Chapuis (1765-1864) Brussels, about 1810-1820 Materials: mahogany, patinated and gilded wood, turquoise blue capella marble Dimensions: H. 76.5 cm; D. 74 cm Stamp: unsigned Resting on a mahogany veneer plinth and ornamented with barrel-shaped bronze wheels, this pedestal stands by a central Doric column flanked by three carved wooden Eels, patinated in the color of bronze and embossed with gilding on the crests, teeth and eyes. All support a circular…
Three compartment salt cellar Soft porcelain – Sèvres blue mark at the back; mark of painter : g Transition period, circa 1770 H. 3.5 in – D. 3.6 in Three compartment basket shaped salt cellar, linked by basket-handle with gilt ribbons knotted on the top. White background decorated with nets and friezes (leaf gilding refurbishment) This triple salt cellar model, known as à trois compartiments, was invented by the Manufacture de Sèvres at the end of 1760 (Svend Eriksen, Sèvres Porcelain, The James A. Of Rothschild Collection…
Copper and Mahogany inlaid bookcase Louis XIV period, circa 1690 H. 78,3 in ; W. 40,1 in ; D. 14,2 in Opening by two doors, this bookcase is fully inlaid with mahogany – a rarely used wood for this period, all inlaid with a rich copper decor in geometric frames on the front and sides. This type of decoration traditionally met on black lacquered furniture here is used to meet the copper and wood color, putting…
Impressionist’s white roses By Raymond Quibel Rouen’s impressionist school, first half of the XXth century H. 12,6 in. ; W. 16 in. Provenance : Private collection in Grenoble, work acquired from the artist then transmitted by inheritance to the last owner. Original gilt wood frame. Raymond QUIBEL (1883-1978) Raymond Quibel exhibited at the “Salon de l’École française” in 1912 and 1913 and then to “Société des Artistes Rouennais”, the “Société Nationale des Beaux Arts” in 1922…
Powder box or snuffbox Louis XVI period, circa 1780 D. 8,5 cm (3,35 in) Chocolate color striped on white background, the inside with tortoiseshell. This box showing a miniature with putti playing in a garden.
Impressionist view of the Afon Miwl’s bridge (Abermule, Wales) By Henri Ottevaere (Belgian school) – Circa 1915 H. 13,6 in. ; W. 17,5 in. This painting was realized during the Ottevaere trip to England in the early twentieth century. It is representative of an impressionist period of Henri Ottevaere, whose productions shows some symbolism. After he will work in the style of Tervuren’s school ( Belgian Barbizon School). This bridge still exist today. We found it on…
Young Kakariki with yellow forehead Born in France in 2009 L. 13 cm; Diameter: 4.5 cm Ring of the UOF (Union Ornithologique de France) n ° F – 09 / 4,5 – 561 – UOF – 11/0501 The Golden-headed Parakeet or Yellow-fronted Kakariki (Cyanoramphus auriceps) is a small endemic parrot in New Zealand.
Large ginger jar mounted with lamp 19th century, mounting of the same period H. pot: 35 cm (13.8 in) – H. pot and basis: 40 cm (15.75 in) H. stalk: from 34 to 52 cm (13.4 to 20.5 in) Ginger jar of ovoid form, painted with blossoming prunus branches on cracked ice grounds, in the manner of Kangxi models.
White porcelain biscuit low relief After Jacques-Louis David : Napoléon passant le col du Grand Saint Bernard Sèvres manufactory, circa 1810 H. 9 in. ; W. 7 in. After the original painting by David, located in the Chateau de la Malmaison (dated 1801). Original gilt wood frame.