This artworks can be included to your collection :
MINERVA AND THEMIS CLOCK Louis XVI period Paris, circa 1780 Calendar complication movement Materials : white and black marble, gilt bronzes Dimensions : H. 27,6 in ; W. 23 in ; D. 6,7 in Exceptional timepiece from the Louis XVI period, from the tallest clocks produced under the Louis XVI period, in white Carrara marble and gilt bronzes. Two allegorical gilt bronze figures of Athena and Themis on a neoclassical architecture. The same model exhibited in the Musée des…
Gaspare LOPEZ (Naples 1650 – Florence 1732) Still life : obelisk with a potted orange tree View : H. 10 in ; W. 2’1″ By Gaspare Lopez, the Italian flowers master of the 17th century – called “Gaspare dei Fiori” A great rococo sculpted vase with a potted and flowered orange tree, an obelisk in the background. On the left, flowers and reeds are reflected in a pond. Flowers highlighted in the center of the painting is a…
Adult Turquoise parakeet, ringed Born in Belgium in 2011 L. 20 cm; Diameter: 3.9 cm Ring of the BOF (Belgian Ornithological Federation) n ° 3,9 / 11 – 002 – BOF – AC 677 The Turquoisine Parakeet (Neophema pulchella) is a small endemic parrot in Australia.
Fireplace screen Regency period, around 1720 H. 110 cm; L. 69 cm Of animated form in worked walnut on both sides, this screen rests on feet with windings decorated with broad leaves gadrooned and points of shells to the junctions inside and the outside. The frame is decorated with batwing wings forming shell on the bottom rail (on each side) large fluted patterns pointed with flowers on the uprights and accents framing a bouquet of…
Impressionist view of the Afon Miwl’s bridge (Abermule, Wales) By Henri Ottevaere (Belgian school) – Circa 1915 H. 13,6 in. ; W. 17,5 in. This painting was realized during the Ottevaere trip to England in the early twentieth century. It is representative of an impressionist period of Henri Ottevaere, whose productions shows some symbolism. After he will work in the style of Tervuren’s school ( Belgian Barbizon School). This bridge still exist today. We found it on…
Candlesticks pair By Jean-Charles Delafosse Paris, Louis XVI period, circa 1780 H. 19,5 cm (7,7 in) Made in white Carrara marble and gilt bronze, this candlesticks was quiver shaped, inspired by the drawings of Jean-Charles Delafosse for the Comte d’Artois in his bedroom in the Château de Bagatelle.
de France’s coat of arms fountain by Jacques de Lajoue Maybe drawn for the Chateau de Choisy (noted on the back) Louis XV period H. 1 ft. 3 in. ; W. 1 ft The sculpture allegory by Jacques de Lajoue, unsigned pen and ink wash drawing. Typical work of the finest “rocaille” period. We can compare this drawing with a suit of ‘Modèle de buffets’ and the “The Bath of the Sultana”. Jacques de Lajoue…
PLATE WITH RADIATING DECORATION France (Rouen) Circa 1700-1720 Plate with blue and red radiating pelmets decoration, shells, foliage leaves and flowers at the center. Diameter : 9,7 in. Origins : – Robert Damilaville’s collection (sticker) – Sold in Paris – december 22nd, 1894. – Pierre Vandermeersch’s collection (sticker) – 31 rue des Saints Pères, Paris.
White porcelain biscuit low relief After Jacques-Louis David : Napoléon passant le col du Grand Saint Bernard Sèvres manufactory, circa 1810 H. 9 in. ; W. 7 in. After the original painting by David, located in the Chateau de la Malmaison (dated 1801). Original gilt wood frame.