This artworks can be included to your collection :
Impressionist view of the Afon Miwl’s bridge (Abermule, Wales) By Henri Ottevaere (Belgian school) – Circa 1915 H. 13,6 in. ; W. 17,5 in. This painting was realized during the Ottevaere trip to England in the early twentieth century. It is representative of an impressionist period of Henri Ottevaere, whose productions shows some symbolism. After he will work in the style of Tervuren’s school ( Belgian Barbizon School). This bridge still exist today. We found it on…
Candlesticks pair By Jean-Charles Delafosse Paris, Louis XVI period, circa 1780 H. 19,5 cm (7,7 in) Made in white Carrara marble and gilt bronze, this candlesticks was quiver shaped, inspired by the drawings of Jean-Charles Delafosse for the Comte d’Artois in his bedroom in the Château de Bagatelle.
PLATE WITH RADIATING DECORATION France (Rouen) Circa 1700-1720 Plate with blue and red radiating pelmets decoration, shells, foliage leaves and flowers at the center. Diameter : 9,7 in. Origins : – Robert Damilaville’s collection (sticker) – Sold in Paris – december 22nd, 1894. – Pierre Vandermeersch’s collection (sticker) – 31 rue des Saints Pères, Paris.
MINERVA AND THEMIS CLOCK Louis XVI period Paris, circa 1780 Calendar complication movement Materials : white and black marble, gilt bronzes Dimensions : H. 27,6 in ; W. 23 in ; D. 6,7 in Exceptional timepiece from the Louis XVI period, from the tallest clocks produced under the Louis XVI period, in white Carrara marble and gilt bronzes. Two allegorical gilt bronze figures of Athena and Themis on a neoclassical architecture. The same model exhibited in the Musée des…
Very rare “lyre” sconces pair – Louis XVI period Pierre Gouthiere’s workshop – Parisian work, circa 1785 H. 19 in ; W. 12,5 in This unique and stylish pair of wall consists of a barrel -shaped lyre motif very popular time of Louis XVI, probably made for a music room. It is surmounted by a mask radiating suspended from a node by all ablaze trimmings. Both sconces fluted curved emerge from the instrument into an…
de France’s coat of arms fountain by Jacques de Lajoue Maybe drawn for the Chateau de Choisy (noted on the back) Louis XV period H. 1 ft. 3 in. ; W. 1 ft The sculpture allegory by Jacques de Lajoue, unsigned pen and ink wash drawing. Typical work of the finest “rocaille” period. We can compare this drawing with a suit of ‘Modèle de buffets’ and the “The Bath of the Sultana”. Jacques de Lajoue…
White porcelain biscuit low relief After Jacques-Louis David : Napoléon passant le col du Grand Saint Bernard Sèvres manufactory, circa 1810 H. 9 in. ; W. 7 in. After the original painting by David, located in the Chateau de la Malmaison (dated 1801). Original gilt wood frame.
Three compartment salt cellar Soft porcelain – Sèvres blue mark at the back; mark of painter : g Transition period, circa 1770 H. 3.5 in – D. 3.6 in Three compartment basket shaped salt cellar, linked by basket-handle with gilt ribbons knotted on the top. White background decorated with nets and friezes (leaf gilding refurbishment) This triple salt cellar model, known as à trois compartiments, was invented by the Manufacture de Sèvres at the end of 1760 (Svend Eriksen, Sèvres Porcelain, The James A. Of Rothschild Collection…
A Rouen earthenware wall “Bouquetière” Poterat’s workshop, circa 1710-1720 H. 3,8 in ; W. 6,9 in ; D. 3,5 in Blue and red underglaze flower ornaments on a band, alternately with red crosses and red foliages on blue background.