This artworks can be included to your collection :
18th century Russian walrus ivory box Archangelsk, ca. 1780-1790 H. 4,92 in ; W. 9,25 in ; D. 5,31 in 18th century walrus ivory inlaid box, typical of the Archangelsk city, locted on the White Sea in northern Russia.
Gaspare LOPEZ (Naples 1650 – Florence 1732) Still life : obelisk with a potted orange tree View : H. 10 in ; W. 2’1″ By Gaspare Lopez, the Italian flowers master of the 17th century – called “Gaspare dei Fiori” A great rococo sculpted vase with a potted and flowered orange tree, an obelisk in the background. On the left, flowers and reeds are reflected in a pond. Flowers highlighted in the center of the painting is a…
Fireplace screen Regency period, around 1720 H. 110 cm; L. 69 cm Of animated form in worked walnut on both sides, this screen rests on feet with windings decorated with broad leaves gadrooned and points of shells to the junctions inside and the outside. The frame is decorated with batwing wings forming shell on the bottom rail (on each side) large fluted patterns pointed with flowers on the uprights and accents framing a bouquet of…
Copper and Mahogany inlaid bookcase Louis XIV period, circa 1690 H. 78,3 in ; W. 40,1 in ; D. 14,2 in Opening by two doors, this bookcase is fully inlaid with mahogany – a rarely used wood for this period, all inlaid with a rich copper decor in geometric frames on the front and sides. This type of decoration traditionally met on black lacquered furniture here is used to meet the copper and wood color, putting…
PLATE WITH RADIATING DECORATION France (Rouen) Circa 1700-1720 Plate with blue and red radiating pelmets decoration, shells, foliage leaves and flowers at the center. Diameter : 9,7 in. Origins : – Robert Damilaville’s collection (sticker) – Sold in Paris – december 22nd, 1894. – Pierre Vandermeersch’s collection (sticker) – 31 rue des Saints Pères, Paris.
Three compartment salt cellar Soft porcelain – Sèvres blue mark at the back; mark of painter : g Transition period, circa 1770 H. 3.5 in – D. 3.6 in Three compartment basket shaped salt cellar, linked by basket-handle with gilt ribbons knotted on the top. White background decorated with nets and friezes (leaf gilding refurbishment) This triple salt cellar model, known as à trois compartiments, was invented by the Manufacture de Sèvres at the end of 1760 (Svend Eriksen, Sèvres Porcelain, The James A. Of Rothschild Collection…
Very rare “lyre” sconces pair – Louis XVI period Pierre Gouthiere’s workshop – Parisian work, circa 1785 H. 19 in ; W. 12,5 in This unique and stylish pair of wall consists of a barrel -shaped lyre motif very popular time of Louis XVI, probably made for a music room. It is surmounted by a mask radiating suspended from a node by all ablaze trimmings. Both sconces fluted curved emerge from the instrument into an…
A Rouen earthenware wall “Bouquetière” Poterat’s workshop, circa 1710-1720 H. 3,8 in ; W. 6,9 in ; D. 3,5 in Blue and red underglaze flower ornaments on a band, alternately with red crosses and red foliages on blue background.
Candlesticks pair By Jean-Charles Delafosse Paris, Louis XVI period, circa 1780 H. 19,5 cm (7,7 in) Made in white Carrara marble and gilt bronze, this candlesticks was quiver shaped, inspired by the drawings of Jean-Charles Delafosse for the Comte d’Artois in his bedroom in the Château de Bagatelle.
de France’s coat of arms fountain by Jacques de Lajoue Maybe drawn for the Chateau de Choisy (noted on the back) Louis XV period H. 1 ft. 3 in. ; W. 1 ft The sculpture allegory by Jacques de Lajoue, unsigned pen and ink wash drawing. Typical work of the finest “rocaille” period. We can compare this drawing with a suit of ‘Modèle de buffets’ and the “The Bath of the Sultana”. Jacques de Lajoue…