This artworks can be included to your collection :
Candlesticks pair By Jean-Charles Delafosse Paris, Louis XVI period, circa 1780 H. 19,5 cm (7,7 in) Made in white Carrara marble and gilt bronze, this candlesticks was quiver shaped, inspired by the drawings of Jean-Charles Delafosse for the Comte d’Artois in his bedroom in the Château de Bagatelle.
An Indian ivory and rosewood casket Vizagapatam – India, circa 1740 Dimensions (approx.): H. 6,7 in. ; W. 16,5 in. ; D. 12,6 in. This casket presenting a rare size and quality of vegetal decoration – in the Italian manner called ‘Tarsia a incastro’ (ivory flowers are directly inlaid into the solid rosewood, which reserves have been previously carved for each element) this great chest is decorated on all sides and opening by a drawer. The…
Impressionist’s white roses By Raymond Quibel Rouen’s impressionist school, first half of the XXth century H. 12,6 in. ; W. 16 in. Provenance : Private collection in Grenoble, work acquired from the artist then transmitted by inheritance to the last owner. Original gilt wood frame. Raymond QUIBEL (1883-1978) Raymond Quibel exhibited at the “Salon de l’École française” in 1912 and 1913 and then to “Société des Artistes Rouennais”, the “Société Nationale des Beaux Arts” in 1922…
Powder box or snuffbox Louis XVI period, circa 1780 D. 8,5 cm (3,35 in) Chocolate color striped on white background, the inside with tortoiseshell. This box showing a miniature with putti playing in a garden.
Adult Turquoise parakeet, ringed Born in Belgium in 2011 L. 20 cm; Diameter: 3.9 cm Ring of the BOF (Belgian Ornithological Federation) n ° 3,9 / 11 – 002 – BOF – AC 677 The Turquoisine Parakeet (Neophema pulchella) is a small endemic parrot in Australia.
Lady desk said ‘Bonheur du Jour’ Louis XVI period, Parisian work, circa 1780 Stamped Jacques-Laurent COSSON Bonheur du jour based on tapered legs and fluted, wearing high shoes finely chiseled in bronze water leaves and wearing rings denticles. This piece of furniture called ‘bonheur du jour’, typical of very feminine productions of the late eighteenth century, could at the same time serve as extra office, dressing table, small cabinet with shelves presentation and marble top.…
A Rouen earthenware wall “Bouquetière” Poterat’s workshop, circa 1710-1720 H. 3,8 in ; W. 6,9 in ; D. 3,5 in Blue and red underglaze flower ornaments on a band, alternately with red crosses and red foliages on blue background.
Three compartment salt cellar Soft porcelain – Sèvres blue mark at the back; mark of painter : g Transition period, circa 1770 H. 3.5 in – D. 3.6 in Three compartment basket shaped salt cellar, linked by basket-handle with gilt ribbons knotted on the top. White background decorated with nets and friezes (leaf gilding refurbishment) This triple salt cellar model, known as à trois compartiments, was invented by the Manufacture de Sèvres at the end of 1760 (Svend Eriksen, Sèvres Porcelain, The James A. Of Rothschild Collection…
PLATE WITH RADIATING DECORATION France (Rouen) Circa 1700-1720 Plate with blue and red radiating pelmets decoration, shells, foliage leaves and flowers at the center. Diameter : 9,7 in. Origins : – Robert Damilaville’s collection (sticker) – Sold in Paris – december 22nd, 1894. – Pierre Vandermeersch’s collection (sticker) – 31 rue des Saints Pères, Paris.
MINERVA AND THEMIS CLOCK Louis XVI period Paris, circa 1780 Calendar complication movement Materials : white and black marble, gilt bronzes Dimensions : H. 27,6 in ; W. 23 in ; D. 6,7 in Exceptional timepiece from the Louis XVI period, from the tallest clocks produced under the Louis XVI period, in white Carrara marble and gilt bronzes. Two allegorical gilt bronze figures of Athena and Themis on a neoclassical architecture. The same model exhibited in the Musée des…