This artworks can be included to your collection :
Three compartment salt cellar Soft porcelain – Sèvres blue mark at the back; mark of painter : g Transition period, circa 1770 H. 3.5 in – D. 3.6 in Three compartment basket shaped salt cellar, linked by basket-handle with gilt ribbons knotted on the top. White background decorated with nets and friezes (leaf gilding refurbishment) This triple salt cellar model, known as à trois compartiments, was invented by the Manufacture de Sèvres at the end of 1760 (Svend Eriksen, Sèvres Porcelain, The James A. Of Rothschild Collection…
White porcelain biscuit low relief After Jacques-Louis David : Napoléon passant le col du Grand Saint Bernard Sèvres manufactory, circa 1810 H. 9 in. ; W. 7 in. After the original painting by David, located in the Chateau de la Malmaison (dated 1801). Original gilt wood frame.
Moonlight on the Vesuvius from Sorrento Italy, early 19th century View : H. 8 in ; W. 10 in View on the Vesuvius from Sorrento, some fishermen at night in an Italian landscape. Referring the Naples bay’s map, we may propose that this view was taken from the creek of Sorrento, in the south. Oil on panel, presented with his gilt wood original frame. The « Grand Tour » During the 18th and 19th centuries,…
PLATE WITH RADIATING DECORATION France (Rouen) Circa 1700-1720 Plate with blue and red radiating pelmets decoration, shells, foliage leaves and flowers at the center. Diameter : 9,7 in. Origins : – Robert Damilaville’s collection (sticker) – Sold in Paris – december 22nd, 1894. – Pierre Vandermeersch’s collection (sticker) – 31 rue des Saints Pères, Paris.
Candlesticks pair By Jean-Charles Delafosse Paris, Louis XVI period, circa 1780 H. 19,5 cm (7,7 in) Made in white Carrara marble and gilt bronze, this candlesticks was quiver shaped, inspired by the drawings of Jean-Charles Delafosse for the Comte d’Artois in his bedroom in the Château de Bagatelle.
A Rouen earthenware wall “Bouquetière” Poterat’s workshop, circa 1710-1720 H. 3,8 in ; W. 6,9 in ; D. 3,5 in Blue and red underglaze flower ornaments on a band, alternately with red crosses and red foliages on blue background.
Impressionist view of the Afon Miwl’s bridge (Abermule, Wales) By Henri Ottevaere (Belgian school) – Circa 1915 H. 13,6 in. ; W. 17,5 in. This painting was realized during the Ottevaere trip to England in the early twentieth century. It is representative of an impressionist period of Henri Ottevaere, whose productions shows some symbolism. After he will work in the style of Tervuren’s school ( Belgian Barbizon School). This bridge still exist today. We found it on…
Very rare 18th century ebony and ivory octant Georges II – Louis XV period, ca. 1750 Radius : 17,8 in Octant ebony and ivory – Signed by the French dealer Decard Bordeaux, retaining the name of the manufacturer * GREGORY fecit * Henry Gregory, optician and manufacturer of measuring instruments in London between 1744 and 1782. Same octant is presented in the collections of the Independence Seaport Museum in Philadelphia – that belonged to John Barry, founder…
A Louis XV satine and kingwood marquetry bombe encoignure After a drawing by Bernard II Van Riesen Burgh (BVRB II) Louis XV period, circa 1760 H. 35 in ; W. 19 in ; D. 19,5 in One door with stylized kingwood flowers on Satine wood background, inlaid on oak. The inner side of the door offers rosewood fillets in a geometric designs. Top red original marble (restored) Rare inlaid model with a typical drawing only…