Walrus ivory Russian box - Archangelsk, c. 1780

Walrus ivory Russian box – Archangelsk, c. 1780

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18th century Russian walrus ivory box

Archangelsk, ca. 1780-1790

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18th century Russian walrus ivory box

Archangelsk, ca. 1780-1790

H. 4,92 in ; W. 9,25 in ; D. 5,31 in

18th century walrus ivory inlaid box, typical of the Archangelsk city, locted on the White Sea in northern Russia.

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Minerva and Themis clock, 1780 – The same at the Musée des Arts Décoratifs

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MINERVA AND THEMIS CLOCK  Louis XVI period Paris, circa 1780 Calendar complication movement Materials : white and black marble, gilt bronzes Dimensions : H. 27,6 in ; W. 23 in ; D. 6,7 in Exceptional timepiece from the Louis XVI period, from the tallest clocks produced under the Louis XVI period, in white Carrara marble and gilt bronzes. Two allegorical gilt bronze figures of Athena and Themis on a neoclassical architecture. The same model exhibited in the Musée des…
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Lady desk said ‘Bonheur du Jour’, ca. 1780

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Lady desk said ‘Bonheur du Jour’ Louis XVI period, Parisian work, circa 1780 Stamped Jacques-Laurent COSSON Bonheur du jour based on tapered legs and fluted, wearing high shoes finely chiseled in bronze water leaves and wearing rings denticles. This piece of furniture called ‘bonheur du jour’, typical of very feminine productions of the late eighteenth century, could at the same time serve as extra office, dressing table, small cabinet with shelves presentation and marble top.…
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Large chinese ginger jar with lamp – 19th century

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Large ginger jar mounted with lamp 19th century, mounting of the same period H. pot: 35 cm (13.8 in) – H. pot and basis: 40 cm (15.75 in) H. stalk: from 34 to 52 cm (13.4 to 20.5 in) Ginger jar of ovoid form, painted with blossoming prunus branches on cracked ice grounds, in the manner of Kangxi models.
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Fireplace screen with mythological tapestry, c. 1720

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Fireplace screen Regency period, around 1720 H. 110 cm; L. 69 cm Of animated form in worked walnut on both sides, this screen rests on feet with windings decorated with broad leaves gadrooned and points of shells to the junctions inside and the outside. The frame is decorated with batwing wings forming shell on the bottom rail (on each side) large fluted patterns pointed with flowers on the uprights and accents framing a bouquet of…
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Mantel clock “peace and war” – ca. 1785

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Mantel clock – Love triumphant War Louis XVI period, after a drawing by François Vion H. 13 in ; W. 10,3 in ; D. 5,9 in Original movement – with a complicated calendar. Exceptional bronze clock finely crafted and presented in its original mercury gilding. On the theme of War and Peace, or Love triumphant over war, sometimes still made in the eighteenth century as ‘pièce de bureau à l’Amour et à Mars’. Allegories are represented by two…
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A Rouen’s earthenware Bouquetière, early 18th century

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A Rouen earthenware wall “Bouquetière” Poterat’s workshop, circa 1710-1720 H. 3,8 in ; W. 6,9 in ; D. 3,5 in Blue and red underglaze flower ornaments on a band, alternately with red crosses and red foliages on blue background.
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An indian ivory and rosewood casket – Vizagapatam, c. 1740

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An Indian ivory and rosewood casket Vizagapatam – India, circa 1740 Dimensions (approx.): H. 6,7 in. ; W. 16,5 in. ; D. 12,6 in. This casket presenting a rare size and quality of vegetal decoration – in the Italian manner called ‘Tarsia a incastro’ (ivory flowers are directly inlaid into the solid rosewood, which reserves have been previously carved for each element) this great chest is decorated on all sides and opening by a drawer. The…
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Henri OTTEVAERE – Abermule (Wales) ca. 1915

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Impressionist view of the Afon Miwl’s bridge (Abermule, Wales) By Henri Ottevaere (Belgian school) – Circa 1915 H. 13,6 in. ; W. 17,5 in. This painting was realized during the Ottevaere trip to England in the early twentieth century. It is representative of an impressionist period of Henri Ottevaere, whose productions shows some symbolism. After he will work in the style of Tervuren’s school ( Belgian Barbizon School). This bridge still exist today.  We found it on…
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Quiver shaped candlesticks by Delafosse, circa 1780.

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Candlesticks pair By Jean-Charles Delafosse Paris, Louis XVI period, circa 1780 H. 19,5 cm (7,7 in) Made in white Carrara marble and gilt bronze, this candlesticks was quiver shaped, inspired by the drawings of Jean-Charles Delafosse for the Comte d’Artois in his bedroom in the Château de Bagatelle.
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Mahogany chairs and armchairs set – ca. 1810

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Two armchairs and two chairs set Solid mahogany First french Empire period (napoleonic) circa 1810
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